Diverse Reads on my blog #8

It's interesting to note that although 2016 is perhaps one of the most divisive years in terms of politics, events and so forth, I often feel as if the cause and division has inspired people to be more conscientious of others and to demand more diversity in literature. 

Blast from the Past: 


In the Musketeers' final adventure, D'Artagnan remains in the service of the corrupt King Louis XIV after the Three Musketeers have retired and gone their separate ways. Meanwhile, a mysterious prisoner in an iron mask wastes away deep inside the Bastille. When the destinies of king and prisoner converge, the Three Musketeers and D'Artagnan find themselves caught between conflicting loyalties. (from Goodreads Man in Iron Mask)

Why It's Diverse: Because I had incorrect editions at the time, some of the chapters were left out from the Man in the Iron Mask therefore I had to find them online and print them out.The author has Haitian and French ancestry through his father, and if the paintings are to be believed, he appears to have more Haitian ancestry than French. 



Mark has just graduated from high school and has just fallen in love for the first time. THe girl's name is Becky. Unfortunately for Mark, Becky has a boyfriend. Mark tries his best, but he is unable to win Becky for himself. THen Mark meets a young couple: Vincent and Kara. Both look extremely familiar to him, although he could swear he's never seen them before. They quickly become good friends. Kara does not want Mark to give up on Becky. In fact, Kara is obsessed that Mark and Becky get together, and she comes up with an elaborate scheme to break up Becky and her boyfriend. Mark thinks the scheme is cruel. He tries to stop kara. He doesn't succeed. Suddenly Becky is a free woman, and Mark can't help but ask her out on a date. THen things start to get very strange. AN evil man appears out of nowhere. Somebody is kidnapped. Somebdoy is tortured. Kara knows what is happening, but she refuses to talk. SHe has good reason not to talk...no one would believe the story she has to tell. But in the end, Mark does believe her, when all he loves appears to be lost, and the world stands on the verge of destruction.

Why It's Diverse: If I recall correctly, the main character, Mark, has a defect of the heart, but it does show him as the main character in the story. 


Korean American Henry Park is "surreptitious, B+ student of life, illegal alien, emotional alien, Yellow peril: neo-American, stranger, follower, traitor spy..." or so says hiw fie, in the list she writes upon leaving him. Henry is forever uncertain of his place, a perpetual outsider looking at American culture from a distance. And now, a man of two worlds, he is beginning to fear that he has betrayed both-and belongs to neither.

Why It's Diverse: The story is written by a Korean-American male on immigration, spying, and fitting in. I am only sorry that I'm not a big fan of the book






Blast from the Past: Allies of Diversity


A sweeping epic and stunning debut, this novel brings to life the war-torn CHina of the 1920s. On opposite sides of a political and social divide, an exiled Russian girl and a Chinese Communist boy find love; a mother must face what she would rather forget; and an idealist realizes his greatest enemies might be his own kind... Junchow, China, 1928. Perhaps it's her red hair, or her hard life. Whatever the reason, Lydia Ivanova has a fierce spirit. Nothing can dim it, not even the foul waters of the Peiho River. Into the river's grime bodies are tossed, those of thieves and Communists alike. So every time she steals some marketplace treasure, the sixteen-year-old takes her life in her hands. Her mother, Valentina, numbered among the Russian elite until Bolsheviks rounded them up. They took her husband, but Valentina managed to buy back her child and bring her to China. Now, though mother and daughter live in the whites-only International Settlement, no walls can keep Lydia in. She escapes to meet Chang An Lo, a handsome youth with fire in his eyes. He returns her love, but other dangers threaten him. Chiang Kai-Shek's troops are headed toward Junchow to kill Reds like him-and in his possession are the priceless jewels of a dead tsarina, meant as a gift for the despot's wife. Their all-consuming love can only bring shame and peril upon the pair, from both sides. Those in power will do anything to quell it. But Lydia and Chang are powerless to end it...

How it promotes diversity: It takes place in China, and the love interest happens to be a Chinese male. The book also has incredibly strong women characters in terms of Lydia and her mother Valentia, and perhaps its one of the first books that I came across that has a Russian character I could identify with. 


The unforgettable novel of a childhood in a sleepy Southern town and the crisis of conscience that rocked it, To Kill A Mockingbird became both an instant bestseller and a critical success when it was first published in 1960. It went on to win the Pulitzer Prize in 1961 and was later made into an Academy Award-winning film, also a classic.

Compassionate, dramatic, and deeply moving, To Kill A Mockingbird takes readers to the roots of human behavior - to innocence and experience, kindness and cruelty, love and hatred, humor and pathos. Now with over 18 million copies in print and translated into forty languages, this regional story by a young Alabama woman claims universal appeal. Harper Lee always considered her book to be a simple love story. Today it is regarded as a masterpiece of American literature.

How it promotes diversity: This is perhaps one of the famous novels about racism and white privilege and importance of fighting even at the cost of losing. Although it is popular with the caucasian crowd, I read that a lot of African-Americans feel uncomfortable and uncertain when it comes to this book. 


Stuck. That’s how 33-year-old aspiring singer Celeste Duncan feels, with her deadbeat boyfriend and static career. But then Celeste receives a puzzling phone call and a box full of mysterious family heirlooms which just might be the first real clue to the identity of the father she never knew. Impulsively, Celeste flies to Japan to search for a long-lost relative who could be able to explain. She stumbles head first into a weird, wonderful world where nothing is quite as it seems—a land with an inexplicable fascination with foreigners, karaoke boxes, and unbearably perky TV stars. 

With little knowledge of Japanese, Celeste finds a friend in her English-speaking homestay brother, Takuya, and comes to depend on him for all variety of translation, travel and investigatory needs. As they cross the country following a trail after Celeste's family, she discovers she's developing "more-than-sisterly" feelings for him. But with a nosy homestay mom scheming to reunite Takuya with his old girlfriend, and her search growing dimmer, Celeste begins to wonder whether she's made a terrible mistake by coming to Japan. Can Celeste find her true self in this strange land, and discover that love can transcend culture?

How it promotes diversity: For one thing it promotes Asian men as love interests to white women, and for another it talks about the everyday modern Japan from a tourist's point of view. I'm sorry I didn't like this book either. 

What I am Reading Now:

Day (The Accident) by Elie Wiesel

"Not since Albert Camus has there been such an eloquent spokesman for man." --The New York Times Book Review

The publication of Day restores Elie Wiesel's original title to the novel initially published in English as The Accident and clearly establishes it as the powerful conclusion to the author's classic trilogy of Holocaust literature, which includes his memoir Night and novel Dawn. "In Night it is the ‘I' who speaks," writes Wiesel. "In the other two, it is the ‘I' who listens and questions."

In its opening paragraphs, a successful journalist and Holocaust survivor steps off a New York City curb and into the path of an oncoming taxi. Consequently, most of Wiesel's masterful portrayal of one man's exploration of the historical tragedy that befell him, his family, and his people transpires in the thoughts, daydreams, and memories of the novel's narrator. Torn between choosing life or death, Day again and again returns to the guiding questions that inform Wiesel's trilogy: the meaning and worth of surviving the annihilation of a race, the effects of the Holocaust upon the modern character of the Jewish people, and the loss of one's religious faith in the face of mass murder and human extermination.

Pages: 232 out of 318

Future Reviews:

Night by Elie Wiesel

Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps. This new translation by Marion Wiesel, Elie's wife and frequent translator, presents this seminal memoir in the language and spirit truest to the author's original intent. And in a substantive new preface, Elie reflects on the enduring importance of Night and his lifelong, passionate dedication to ensuring that the world never forgets man's capacity for inhumanity to man.

Night offers much more than a litany of the daily terrors, everyday perversions, and rampant sadism at Auschwitz and Buchenwald; it also eloquently addresses many of the philosophical as well as personal questions implicit in any serious consideration of what the Holocaust was, what it meant, and what its legacy is and will be.

Dawn by Elie Wiesel

Elisha is a young Jewish man, a Holocaust survivor, and an Israeli freedom fighter in British-controlled Palestine; John Dawson is the captured English officer he will murder at dawn in retribution for the British execution of a fellow freedom fighter. The night-long wait for morning and death provides Dawn, Elie Wiesel's ever more timely novel, with its harrowingly taut, hour-by-hour narrative. Caught between the manifold horrors of the past and the troubling dilemmas of the present, Elisha wrestles with guilt, ghosts, and ultimately God as he waits for the appointed hour and his act of assassination. Dawn is an eloquent meditation on the compromises, justifications, and sacrifices that human beings make when they murder other human beings.





One Half from the East by Nadia Hashimi

Internationally bestselling author Nadia Hashimi’s first novel for young readers is an emotional, beautiful, and riveting coming-of-age journey to modern-day Afghanistan that explores life as a bacha posh—a preteen girl dressed as a boy.

Obayda’s family is in need of some good fortune.

Her father lost one of his legs in a bomb explosion, forcing the family to move from their home city of Kabul to a small village, where life is very different and Obayda’s father almost never leaves his room.

One day, Obayda’s aunt has an idea to bring the family luck—dress Obayda, the youngest of her sisters, as a boy, a bacha posh.

Now Obayda is Obayd.

Life in this in-between place is confusing, but once Obayda meets another bacha posh, everything changes. The two of them can explore the village on their own, climbing trees, playing sports, and more.

But their transformation won’t last forever—unless the two best friends can figure out a way to make it stick and make their newfound freedoms endure.

5 Books I am Planning on Tackling This Year: 

Things We Lost in the Fire: Stories by Mariana Enríquez, Megan McDowell

An arresting collection of short stories, reminiscent of Shirley Jackson and Julio Cortazar, by an exciting new international talent.

Macabre, disturbing and exhilarating, Things We Lost in the Fire is a collection of twelve short stories that use fear and horror to explore multiple dimensions of life in contemporary Argentina. From women who set themselves on fire in protest of domestic violence to angst-ridden teenage girls, friends until death do they part, to street kids and social workers, young women bored of their husbands or boyfriends, to a nine-year-old serial killer of babies and a girl who pulls out her nails and eyelids in the classroom, to hikikomori, abandoned houses, black magic, northern Argentinean superstition, disappearances, crushes, heartbreak, regret and compassion. This is a strange, surreal and unforgettable collection by an astonishing new talent asking vital questions of the world as we know it.

Pages: 200 in my copy

The Republic of Užupis by Haïlji,  Bruce Fulton (Translator), Ju-Chan Fulton (Translator)

Uzupis (on the other side of the river) is, in reality, a neighborhood in Lithuania's capital city of Vilnius, which took the peculiar step of declaring itself an independent republic in 1997. In this novel, however, it is the lost homeland of a middle-aged man named Hal, who lands in Lithuania hoping to travel back to the town of his birth in order to bury his father's ashes there -- in a place that might not really exist. In a literary tradition dominated by social realism, The Republic of Uzupis is a unique work of melancholy, Murakami-esque whimsy.

Pages: 149





Pachinko by Min Jin Lee

A new tour de force from the bestselling author of Free Food for Millionaires, for readers of The Kite Runner and Cutting for Stone.

Pachinko follows one Korean family through the generations, beginning in early 1900s Korea with Sunja, the prized daughter of a poor yet proud family, whose unplanned pregnancy threatens to shame them all. Deserted by her lover, Sunja is saved when a young tubercular minister offers to marry and bring her to Japan.

So begins a sweeping saga of an exceptional family in exile from its homeland and caught in the indifferent arc of history. Through desperate struggles and hard-won triumphs, its members are bound together by deep roots as they face enduring questions of faith, family, and identity.

Pages: 481

Free Food for Millionaires by Min Jin Lee

Casey Han's four years at Princeton gave her many things, "But no job and a number of bad habits." Casey's parents, who live in Queens, are Korean immigrants working in a dry cleaner, desperately trying to hold on to their culture and their identity. Their daughter, on the other hand, has entered into rarified American society via scholarships. But after graduation, Casey sees the reality of having expensive habits without the means to sustain them. As she navigates Manhattan, we see her life and the lives around her, culminating in a portrait of New York City and its world of haves and have-nots. FREE FOOD FOR MILLIONAIRES offers up a fresh exploration of the complex layers we inhabit both in society and within ourselves. Inspired by 19th century novels such as Vanity Fair and Middlemarch, Min Jin Lee examines maintaining one's identity within changing communities in what is her remarkably assured debut.

Pages: 560

The Patriots by Sana Krasikov

When the Great Depression hits, Florence Fein leaves Brooklyn College for what appears to be a plum job in Moscow—and the promise of love and independence. But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, will make the opposite journey, immigrating back to the United States. His work in the oil industry takes him on frequent visits to Moscow, and when he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny, who is trying to make his fortune in the new Russia, to return home. What he discovers is both chilling and heartbreaking: an untold story of what happened to a generation of Americans abandoned by their country.

The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

Pages: 542

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